Serotonin Cinema
Well, an odd few weeks it has been. I had a damn good 2-3 weeks, felt much much better mentally, and enjoyed myself. Life was normal. Then I increased my dose of Citalopram (you may know it as Celexa), an SSRI I took during withdrawal and for many years prior to it, and suddenly I felt absolutely awful, with a recurrence of what I thought were benzo symptoms. Made me think.
I went back to my old blogs and realised that the two worst periods of my withdrawal - after the initial acute, which was just insanity - came when I started citalopram, and then increased my SSRI. I know it can be rough the first two weeks after an increase, but in this instance I was increasing my a very small dose, and I felt absolutely terrible. Dr prescribed me 10mg but I started taking 2.5 for a week, felt great, so increased to 5 and some days later the anxiety hit, along with no appetite, and muscle twitching, which were big aspects of my withdrawal too. Makes me wonder. Eventually, the Citalopram helped my withdrawal journey, but I wonder how much it harmed it in the short term. Anyway, I stopped taking it and have felt progressively better every day since. Until day 5, which I'm guessing was the withdrawals? I took basically a crumb of a tablet, probably 1mg or less, and I started to feel better. But it also was around the time of night I always feel better anyway, so who knows. That was Sunday, it is now Wednesday. Monday and Tuesday were good days, today is alright but I feel a little bit anxious. Had a fully caffeinated latte, maybe that was it. If it continues to get worse, I may take another crumb of SSRI and see if that relieves it. If so then it seems likely it was the SSRI. The anxiety keeps resurfacing, milder than it was, but it resurfaces still, usually in the late afternoon.
In other news, I've been thinking about movies and screenwriting. I'm a writer, in the past year I can actually say that with some justification as a description of my profession; I have been paid to write, in different capacities. Music reviews, boring articles ranking things, interviews and the like. You may also know, if you read my previous blog, that I have a degree in English Literature & History and a Masters Degree in Creative Writing. I have written about 110 pages of a novel, which I am struggling immensely with getting into shape to finish, and a lot of poetry.
But there is something that has always eluded me as a writer, and that has been, quite simply, ideas. I know, I know. Pretty important for a writer, right?
My strength is in my execution. I can write stylishly, I can push and pull language, expand and contract it to bring things to life quite easily. My problem is I simply do not think in terms of plot, or ideas. My novel has almost no dialogue in it, and in terms of story, it is a very very slightly fictionalised memoir depicting benzo withdrawal. So while stylistically, I would describe it as being distinctive and attractive, and original in its narrative voice, is it none of those things conceptually. Which is fine; not everything has to be.
I am, and this may not be modest but it's true, very well read, at least with regards to the canon of literary fiction. I am, however, woefully uneducated in terms of cinema. There are so many classics I haven't seen, and so many of the movies that make up our cultural zeitgeist I know only through the cultural references of others.
So, I begin my quest to become as educated in film as I am in literature. And in doing so, I hope to gain something of what I never quite picked up through all of my reading.
So much of that reading has been authors like Camus, Sartre, Hesse, Kundera, Kerouac, Garcia Marquez. Authors for whom the plot serves mainly a vehicle through which to better explore the human condition, or the world at large. There is very little in the way of plot, or the plot itself is merely a set piece through which various themes can be explored, an event than can be analysed and combed over, either by the reader in their own mind, or in the pages themselves. So many of the novels I like to read can be summed up by 'something happens, and the narrator spends the next 10-20 pages thinking about it'.
And while I am well aware there are many more books that have a far more plot-driven nature, it is to films I turn. It is a leaner medium, confined by the necessities of run-time in a way existentialist novels are not, and due to being a visual and auditory medium, must show rather than tell wherever possible.
And so, I will get up to speed with the many many things I have missed out on, from Bergman, Hitchcock and Tarkowsky to the modern day blockbuster, while also trying to learn something from this more plot-driven medium. Hopefully I will grow as a writer, and who knows, maybe as a person along the way.
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Much of this was written over the course of Sunday - Wednesday. It is now Thursday. Good day, then anxiety struck in the afternoon again. I took another crumb of my SSRI, barely even a crumb, and the anxiety abated for a few hours. Then returned, but that could be due to stressors. Then it left again. Now I watch Dune and marvel at the aesthetic beauty of this film. Having read the book, it is fun to make the comparison. I'll expound more on this soon, when I've thought about it some more.
Also watched Winter Light and The Seventh Seal by Ingmar Bergman, great films. The 400 Blows was okay, French New Wave Cinema, a little less to my taste than Bergman's sensibilities. Tony Takitani, a Murakami adaption, and Ghost World, with a young Scar-Jo and the great Steve Buscemi.
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